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What is music publishing?

Music publishing is the exploitation of a song’s composition copyright. The composition of a song is the lyrics and melody as written by one or more songwriters. This is an important distinction to make between the two types of copyright we covered in our Copyright 101 guide: the difference between the composition copyright and the sound recording copyright.

Music publishing only relates to the composition.

Are you a songwriter, producer, beatmaker, composer, or lyricist with ownership over your compositions? If so, read on to learn how to earn the most money from your songs.

What types of royalties can I earn from music publishing?

Songwriters make money from their compositions a few different ways:

  • Performance royalties
  • Mechanical royalties
  • Sync licensing fees
  • Licenses for samples
  • Printing sheet music

How much money can I make from music publishing?

The amount of money you can earn from publishing depends on a few things. There’s no definitive, guaranteed number for everyone. Like sales and streaming revenue, the publishing royalties you earn are contingent on how much work you’re doing to promote your music and get it heard.

What’s certain though is that publishing accounts for a huge portion of overall music industry revenue. As an independent artist, if you write your own songs, you have a powerful tool to earn money from many sources. All of the sources detailed in the section above can bring in royalties above and beyond what you’re already collecting from downloads, streams, ticket sales, and more. Sales and streaming revenue is only earned from the sound recording,  which is one of two types of copyright. So if you’re not exploiting your composition copyright by seeking publishing royalties, you’re only earning on half of the copyrights you own. Potential earnings from publishing are being left on the table!

The actual royalty amount you stand to make from interactive streaming is in constant contention in U.S. courts. The Copyright Royalty Board (CRB) is an organization that protects the rights of songwriters and publishers and works in their best interests to make sure they’re paid fairly for the use of their compositions. In early 2018, the CRB ruled to increase rates charged to the streaming platforms like Spotify and Amazon for the use of songs in their catalogs. The board aims to hike rates by as much as 44% by 2023, with each year seeing an increase in fees until that end date. Earlier this year, the platforms filed an appeal, so now it’s a waiting game while the courts sort out the contest between the CRB and the streaming services. What this means for songwriters is that should the platforms’ appeal fail, you stand to start making considerably more per stream than you do currently.

How do I collect all of my publishing royalties?

The caveat for independent artists who write and perform their own songs is that, while you control both of your copyrights, it’s extremely difficult to collect all of the royalties earned from your composition copyright by yourself. This is because collecting every publishing royalty you’re owed requires you to register your songs with hundreds of organizations around the world and have a catalog large enough to qualify as a publisher. You can certainly collect some of your publishing royalties on your own from domestic sources, but there’s a good chance you’re leaving royalties unclaimed from sources you don’t have the authority to collect from.

Can CD Baby help me with music publishing?

Yes! CD Baby offers a service called CD Baby Pro Publishing where we administer the publishing on your behalf. If you sign up for Pro, we’ll handle all of the aspects of collection for your publishing, including:

  • Affiliation with a performing rights organization (if you’re in the US or Canada)
  • Registration of your songs with your performing rights organization
  • Song registration with every performing rights organization around the world
  • Global collection of performance royalties
  • Song registration with mechanical agencies
  • Collection from mechanical agencies around the world
  • Collection of any royalties earned from sync placements

What are performance royalties?

Any time a song you composed is played in public – via a live performance or on the radio or through speakers at a restaurant – that “performance” generates a corresponding performance royalty. These royalties are collected by the performing rights organization (PRO)in which that performance took place.

Performance royalties flowchart to understand music publishing

What is a performing rights organization (PRO)?

A performing rights organization, also known as a PRO, is an agency whose job is to monitor radio airplay and live performances. They then pay royalties to the songwriters and publishers who claim ownership to the songs. PROs charge a blanket licensing fee for radio stations, venues and even restaurants for the rights to host performances of the songs in the PROs’ catalog. This fee is scaled to the size of the station or venue; the larger it is the more they pay the PRO. The PROs use that money to pay songwriters and publishers.

If you’re touring or playing a few shows locally, it’s always a good idea to register your setlist with your PRO. That’s performance revenue waiting for you, and all you need to do is enter some quick data.

How do PROs pay performance royalties?

PROs split performance royalties 50/50 between the songwriter and publisher.

With CD Baby Pro, we collect the publisher’s share. The PRO will pay each songwriter their share directly.

Which performing rights organization (PRO) should I join?

This question comes up a lot with new songwriters, since in the U.S. we have two main PROs: ASCAP and BMI.

Both ASCAP and BMI perform the same service of collecting royalties, so there is no “better” PRO between the two. The only real difference between the two is that BMI does not charge for a songwriter affiliation while ASCAP charges $50 to affiliate as a songwriter. BMI does charge $150 to create a publisher, while ASCAP charges $50 to affiliate as a publisher. ASCAP also requires you to affiliate a publisher to collect the publisher’s share of the royalties, while BMI allows songwriters to collect the publisher’s share directly.

SESAC is the third major PRO in the U.S. They are invite-only, so you must either be invited by them to join or a member must recommend you.

Can CD Baby help me affiliate with a PRO?

With CD Baby Pro, we affiliate you with ASCAP or BMI if you are not already affiliated. Any fees you would need to pay for either are waived, so if you’re going to sign up for Pro, there’s no need for you to affiliate with ASCAP or BMI beforehand. We also register your songs with that PRO as part of our publishing administration service.

Can I use CD Baby Pro if I live outside the U.S.?

We currently offer Pro in over 80 territories.

If you live in one of those countries, you are eligible for CD Baby Pro Publishing. Don’t see your country on the list? We sign agreements with PROs each year to administer the publishing for songwriters in their country. There’s a chance we’re in talks with the organization in your country right now!

Can CD Baby help me affiliate with a PRO outside the U.S?

With CD Baby Pro Publishing, we can affiliate you with SOCAN if you’re in Canada. The other PROs require that songwriters apply directly. If you’re in any other country on that list of organizations, you’ll need to affiliate with your home PRO before you sign up for CD Baby Pro Publishing.

Should I use CD Baby Pro if I’m outside the U.S.?

In short: yes! Even if you are already affiliated with an international PRO and its corresponding mechanical agency and are collecting your royalties from them, Pro is still beneficial. Our publishing administration service actively collects from the agencies instead of the passive collection songwriters receive on their own.

While the PROs report royalties to each other through what is called a “reciprocal agreement,” this takes time and is not guaranteed. CD Baby collects from each organization directly because we register your songs directly with them. This results in faster and often more comprehensive payments than what you would receive collecting on your own.

What are mechanical royalties?

When your composition is recreated in a “mechanical” format, that generates a corresponding mechanical royalty. The term originated when physical media was the only way people bought music, so each reproduction of a composition on vinyl, tape or CD generated a mechanical royalty.

Since the advent of digital media, mechanical royalties have expanded to digital sales and streams. Whenever your composition is downloaded from a service like iTunes or played via an interactive streaming service like Apple Music or Spotify, you are owed a mechanical royalty.

Mechanical royalties are also generated by artists recording their own version of your composition. If someone wants to record a song you wrote, they must pay the current mechanical rate in the U.S., which is 9.1 cents per copy (what they are expecting to sell). These mechanical royalties are paid to a mechanical agency.

What is a mechanical agency?

Like a performing rights organization, a mechanical agency is an organization that collects mechanical royalties. They collect these from labels for the pressing of physical media and from digital services like iTunes/Apple Music and Spotify for downloads and interactive streams. They also collect directly from artists who pay them the mechanical rate for cover songs.

How do I join a mechanical agency?

The only mechanical agency in the U.S. is the Harry Fox Agency (HFA). Most artists know them from their licenses for cover songs, but HFA also collects mechanical royalties from digital platforms. All other countries have mechanical agencies, but most smaller countries combine them with the PRO so they are not separate entities like HFA is in the USA.

It is very difficult to join Harry Fox as an independent artist. Only publishers can affiliate with HFA, and they require that publisher to have a large catalog of songs. Thankfully, CD Baby Pro has you covered! As a publisher, CD Baby has a large catalog and registers any songs submitted for Pro with HFA. We have a publisher account with them, so we take care of all HFA registration.

How do I collect mechanical royalties?

Since only publishers can join a mechanical agency, mechanical royalties can only be paid to a publisher. CD Baby Pro collects these royalties on your behalf as part of our publishing administration service.

This aspect of the publishing administration service is particularly beneficial to independent songwriters, not only because of the requirements to affiliate with HFA, but also because of the difficulty of collecting mechanical royalties internationally. When someone buys a download of a song you wrote in the U.S., the digital service includes the resulting mechanical royalty in with the revenue for the sound recording that they pay to the distributor (CD Baby, in this case).

Not so internationally. If someone buys a download of a song you wrote on a digital platform outside the U.S., that country’s mechanical agency collects the mechanical royalty. They hold onto that money until a publisher claims it. CD Baby collects this royalty through CD Baby Pro Publishing. So if you have a large international following, you’re leaving money on the table without a publishing administrator!

What is the Mechanical Licensing Collective?

The Mechanical Licensing Collecting (or MLC) is a new U.S.-based Mechanical Rights Organization (MRO) designated by the U.S. Copyright Office to issue and administer the digital audio mechanical blanket license in accordance with the Music Modernization Act to DSPs in the United States. They are now responsible for collecting mechanical royalties from streaming platforms in the U.S. This distinction is important, because the MLC does not collect international royalties. It will only collect royalties generated from streams in the U.S.

Since the MLC is working with the Harry Fox Agency (HFA) to build a database of works, all CD Baby Pro members will have their songs transferred from HFA to the MLC’s database with all the ownership information. And since CD Baby Pro is a publishing administration service, it’s already registered with the MLC to collect royalties, just as with other royalty collection agencies like HFA. So if you’re registered with CD Baby Pro you don’t need to do anything with the MLC!

How mechanical royalties are paid to music publishers and songwriters


What is sync licensing?

Sync licensing is the placement of music in other media, like a TV show, movie or advertisement. The “sync” part comes from the synchronization of music to the moving images. When a song you wrote is licensed for placement in other media, you are owed sync royalties. There are two types of royalties earned for this placement:

  • The upfront placement fee: This is paid by the production company for the placement of your song and is only paid once. 
  • The sync royalties: Whenever media that contains your song is played, it generates a performance royalty. The TV network tracks those plays and files a cue sheet to report the play to your PRO, who then pay you the royalties.

How do I collect sync licensing royalties?

CD Baby has a music library of thousands of songs ready for placement. Simply opt in to sync licensing during the submission process for your music and your songs will be added to that library. If a music supervisor wants to use one of your songs, we negotiate the placement on your behalf.

We’ve placed songs from independent artists just like you in many major TV shows and commercials. More and more music supervisors are seeking music from CD Baby because we boast a large catalog of music that can be licensed without the red tape of major label interference. Since opting in to sync licensing with CD Baby means the artist owns both copyrights (the composition and the sound recording), music supervisors have learned that licensing through us is quick and easy because they can clear all of the rights in one place.

If you also sign up for Pro Publishing, we’ll collect any resulting royalties from a sync placement on your behalf. Between CD Baby’s sync licensing program and our publishing administration, you’re completely covered for song placement and royalties.

How do I credit other songwriters?

If you wrote your composition with other songwriters, you’ll want to complete a split sheet form. This will secure in writing who wrote what percentage of each song, adding up to 100%. A split sheet is a clean, easy way of declaring who is owed what when royalties start to come in. PROs ask for song split percentages, as does CD Baby when you sign up for Pro Publishing. We need to know how much each songwriter is due so we can list those amounts in the publishing royalty reports.

Should I give my producer some of the publishing?

In the modern music business, producers have an increased role in the song creation process. So if you worked with a producer who made beats or otherwise helped with your song’s creation, should you give them some of the songwriting credit? That depends.

Remember that a song is technically the words and melody and nothing else. So while producers can significantly contribute to a song’s completion by adding other elements, if they did not contribute to the words or melody they have no legal right to the composition.

But there are also many cases where a producer’s input — whether it’s a beat, a riff or a bridge — is integral to the finished product. So if your producer contributed something to the song that you feel is now a vital part of your composition, you can give them some percentage of the song split. As always, each case is subjective, so we recommend talking with your producer and documenting your agreement on paper.

Can CD Baby administer the publishing for other songwriters?

If there are other songwriters on your songs, you can add them as collecting songwriters. You’ll do this when you’re adding songwriters on your songs. Follow these steps:

  • Click Add New Songwriter
  • Enter their full legal name
  • Select “Yes” under the Collecting Songwriter option

There’s a one-time $10 fee for any additional collecting songwriters beyond the first. 

How do I pay other songwriters?

When your publishing royalty reports come in, we’ll detail which songwriter is owed what amount of the revenue. It is then your responsibility as the account holder to pay those songwriters their share. Keep in mind that this is only the publisher’s share of the royalties, since the PROs will pay the songwriters’ shares directly to them.

Are there other royalties I can earn?

The music industry is an ever-evolving business. New methods of listening to music mean new avenues from which to earn revenue. For example, what about satellite and Internet radio like SiriusXM and Pandora? These are technically radio stations like regular old terrestrial AM/FM radio, but they operate differently. While the PROs pay performance royalties to songwriters and publishers for airplay on terrestrial radio, royalties from airplay on satellite and Internet radio are payable to artists and labels since that revenue is generated by the sound recording copyright.

The revenue generated from airplay on satellite and Internet radio is collected by SoundExchange, who splits royalties 50/50 between the artist and the label. Think of it as a digital performance royalty, with the performing artist(s) and label being entitled to that revenue the same way songwriters and publishers are to AM/FM radio airplay. If you’re getting rotation on satellite and Internet radio, we suggest you create an account with SoundExchange to collect those royalties. CD Baby has an agreement with them to collect any unclaimed label royalties from them, but you will need to affiliate with them as an artist and register your songs to claim the artist’s share.

An infographic showing how music royalties flow

Closing thoughts

Like all areas of the music industry, music publishing is changing rapidly with the modern ways people listen to music. However, its core tenet is still intact: making sure songwriters are compensated for their hard work creating music for others to enjoy. As always, CD Baby is part of this tradition and here to help our artists navigate its world.

The post Music Publishing Explained appeared first on DIY Musician.

SoundCloud Promotion

We provide you our Spotify bundle that will get tens of thousands of new listeners in a few days.

Nowadays, it can be easier for Soundcloud music promotionians to get discovered, especially thanks to sites like SoundCloud and streaming solutions like Spotify. In actuality, Spotify can be one of the best places for Soundcloud music promotionians to put their Soundcloud music promotion in order to get discovered. We provide you our Spotify bundle that will get tens of thousands of new listeners in a few days. Artists or bands can choose one to five songs or tracks. It may be an album Soundcloud promotion package of five tunes. The package gets around seven thousand plays. The songs or tracks will get placed on three playlists. The delivery starts in twelve hours and it makes take five days to finish. Our top plan can be selected for different sets of five tracks or songs. The identical set of five tracks or songs can be promoted with this plan again in the not too distant future. Boost your chances to Get in the Spotify SoundCloud Charts! Getting Plays on Spotify must be your Goal!

SoundCloud success measured by performance indicators and vanity metrics

Music artists are in many ways like startups. They create, publish, sell, negotiate, deal with payments, do SoundCloud... However, it's really tough to find relevant performance indicators for artists. But what's true for businesses is true for artists: without numbers, it's significantly harder to be successful. Before it begins, and sometimes it kills a career. In this post, I need to share some tips and maybe some surprising facts about the amounts of one of the biggest online Soundcloud music promotion programs -- SoundCloud. Disclaimer / Warning: the following analysis features opinions and has been performed by SoundCloud listeners. The report is not sponsored or endorsed by any artist, label, or SoundCloud. The results are based on publicly available information or claim to be representative, correct, or complete. Do not analyze graphs with more than 500 million nodes in the home. Top 10 Profiles on SoundcloudThere are approximately 1,000 artists on SoundCloud that have follower bases exceeding 250,000 users. The artist with the most followers is not Avicii Skrillex, The Weeknd, Kanye West, David Guetta, Justin Bieber or Drake. It's Future with 9.48M followers - a gigantic figure in the SoundCloud ecosystem. There is not a single non-Hip Hop profile in the Top 10. Four out of the top ten profiles are record labels. UMG and Sony are dominating the top ten. In the event you anticipated EDM here you probably live outside the US. Hip hop artists have dominated one of the...

Improving your Soundcloud engagement

The more a station reposted their Soundcloud audience engaged. Frequency had the strongest correlation to a station ratio. Audience engagement falls significantly with the majority of the analyzed channels reposting between 6 and 17 times each day, at outside and 5 reposts. They see the value and are rewarded every time they do something that is upload or repost. The key behind powerful reposts Follow for Download Gates: So why do artists and labels have greater engagement ratios? Labels and artists often curate more in relation to reposts and uploads, favoring quality over quantity, permitting them to make dedicated superfans. You will need to be careful not to exhaust your viewers. The standard repost generates plays of the following of that station. Quite simply, if a 100.000 follower channel reposted your course, it would probably only create 3.000 -- 4.000 plays. You, like us, had probably expected this number to be much greater. Whereas a small portion of stations ranged between 10-18% some were as low as 1 percent. The high-ratio accounts were labels and the artists, who reposted less and uploaded more often. The distinction is important, and reinforces the notion that you will need to be careful in who you set up with. Improving your station's engagement The trend on SoundCloud, particularly with promotional channels, is to pair reposts that are consistent with like-to-download gate inclusion to be able to accelerate follower development. That station may then do...

Buying Soundcloud Reposts is a Record Label Marketing Secret

The more a station reposted daily, the less engaged their Soundcloud audience. Repost frequency had the strongest correlation to a station ratio. Audience engagement falls significantly with nearly all the analyzed channels, at 5 reposts and outdoors. They see the value and are rewarded with a reply every time they do repost or upload something. Follow for Download Gates: So why do labels and artists have higher engagement ratios? Labels and artists often curate more in regards to reposts and uploads, favoring quality over quantity, allowing them to make dedicated superfans. The standard repost generates plays of that channel's following. Quite simply, if a 100.000 follower channel reposted your path, it would probably only create 3.000 -- 4.000 plays. You, like us, had probably expected this number to be much higher. The majority of channels had scarily low play-to-follower ratios, between 1-5%. Whereas a part of channels ranged between 10-18%, some were as low as 1 percent. The accounts that are high-ratio were the artists and labels, who reposted uploaded and less . The distinction is critical, and reinforces the notion that you will have to be careful in who you set up with. Improving your channel's engagement The trend on SoundCloud, especially with promotional channels, would be to pair reposts that are consistent to be able to accelerate follower development. That channel get consistent uploads also, and may do the same. The final result is a perpetuating cycle, in...

As SoundCloud‘s importance expands beyond audio, labels of all sizes are catching on to the value of having their SoundCloud plays.

The trend on SoundCloud, particularly with channels, is to pair reposts to have the ability to accelerate follower development. That channel may do the same, and receive uploads that are consistent too. You are unlikely to click it if channels repost the same song every day. They end up unfollowing them or ignoring the channels. The outliers are the ones that upload more more like tags and repost. It's a good deal more easy to appreciate an artist than tag or a channel since there personality. There is a significant tipping point in engagement with reposts exceeding four a day, which everyone should take as their limit that is regular. Reposting more often to overcompensate for the lack of plays is, actually, counter-productive and reduces engagement farther. Another optimization strategy is to need your repost is scheduled in the best engagement time, which is when the vast majority of the Soundcloud audience has arrived in school or the office of that station. Obtaining More Plays on SoundCloud There is a common strategy to give away your Soundcloud music promotion for free download in exchange as the title would imply. Some follow for gates permit you to collect followers across channels and stores, collect mails, or present content. For constructing an Soundcloud audience on 11, this has turned into a must-do. This one is straightforward. Ensure that your tags in your tune is identical to whichever graph on SoundCloud you would like to chart within. Something as simple...

The key behind strong Soundcloud reposts

The key behind strong reposts So why do artists and labels have higher engagement ratios? Labels and artists often curate more in relation to reposts and uploads, preferring quality over quantity, allowing them to create dedicated superfans. The repost generates plays to 3-4percent of the following of that station. You, like us, had expected this number to be higher. Some were as low as 1 percent, whereas a small part of channels ranged between 10-18%. The majority of the low-ratio accounts were the repost channels, who reposted frequently throughout the day and had few initial uploads in their account. The accounts were the artists and labels, who reposted uploaded and less more often. The distinction is important, and reinforces the notion that you will need to be careful in who you group up with. Improving your station's engagement The trend on SoundCloud, particularly with promotional channels, would be to pair reposts that are consistent with gate inclusion to be able to accelerate follower development. That channel receive uploads, and may do the same. You are not likely to click it, if multiple channels repost the exact same song every day. Finally, they end up dismissing the stations or unfollowing them. The outliers are those that repost often and upload more more like tags. It's a lot more easy to appreciate an artist than a repost channel or tag because there personality it's likely to join with there. There's a significant tipping point in engagement with...

Our Organic SoundCloud Reposts are provided through a network of influencers, and artists.  All of our work is legit and comes with a satisfaction guarantee. Real people, real promotion.

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  • How do Reposts Work?
    1. Your song is distributed to our network of SoundCloud Influencers.
    2. Our Influencers have between 10k – 500k followers each.
    3. Influencers repost your song to their followers.
    4. Followers may (or may not) choose to play, like, comment, or repost your track.
    5. The better the track, the better it will perform.
    6. You can monitor your engagements in SoundCloud Pulse or Notifications.
    7. Reposts stay active for 48 hours.
    8. To see an example of a repost schedule click here.
  • What are you going to do for me?
    We give your release a boost by getting it in front of a real audience. We provide you with a “first wave” of engagement that you may not be able to get otherwise. What happens next is up to you and your music.
  • How long do reposts last?
    Reposts stay active for 48 hours. After the first 48 hours, your reposts are too far down the stream to be noticed. Removing them keeps an influencer’s channel from being over-used and outdated.
  • Will I go VIRAL from one organic soundcloud promotion?
    The truth is, probably not. Unless you have the next “The Box” in your pocket, you are probably not going to blow up from one promotion. We are not going to bullshit our clients and make false promises. Think “Brand Building” not “Overnight Sensation.”
  • Will I get noticed by labels?
    The best way to get noticed is to keep your brand in front of an audience while producing top quality material. Labels want real artists who already have a brand together, who self-promote and have a good presence on Soundcloud and Spotify. Please, don’t expect to send out some reposts and get signed. This is the most competitive business in the world.
  • Can I have the links to your influencer channels? 
    No. It took us many years to build our network.
  • How many is a million?
    The number represents the total amount of followers your song is shared with. It doesn’t mean that your track will be reposted by a million influencers.
  • Can I split an order between multiple songs?
    We require a minimum of 1 million reposts per song when splitting an order. The minimum order you can split between two songs is 2 million reposts.
  • Can I change the link to my song?
    Unfortunately, no. The organic Soundcloud promotion can’t be forwarded. It is okay to change the title or other meta-data, just not anything that affects the link.
  • What if no one likes my music? 
    If we can’t get anyone to repost your track, we will refund all of your money.
  • Are the organic SoundCloud followers real people who will become fans?
    They are fully organic, real, living people who have downloaded other music from our fangates and given the option to follow you. Once they are following you they will receive your music in their streams and it’s up to you if you connect with them and build your community. This is how to turn them into “Superfans.”
  • Will they immediately like my music?
    New followers are not automatic “fans” and will probably not engage your tracks right away. You have to engage them by streaming good music, following them back, comment on their stuff, and chatting with them.  Build your community.
  • How Long does it take to gain 1000?
    Once the campaign has started, you can expect 1 week per-1000.
  • How can I track the progress of a campaign?
    Watch your organic Soundcloud followers grow on the Pulse app or in Notifications on the website.
  • Can I change the link to my profile after I order?
    No. Unfortunately, the promotions can’t be forwarded. It is okay to change the title or other meta-data, just not anything that affects the link.
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